
Art. LXVIII.—Note on a Remarkable Maori Implement in the Hunterian Museum at Glasgow.
[Read before the Wellington Philosophical Society, 21st February, 1894.]
Plate LI.
I was much interested on a recent visit to the Hunterian Museum at Glasgow with the examination of a beautiful specimen of the Maori implement known as the mira-tuatini, which has long gone out of use. It was brought from New Zealand by the great circumnavigator Cook, but is not the one figured in the “Voyages.” It was purchased, together with some other Maori things, by the late Dr. Hunter at a sale of a portion of Cook's collections which took place in London very many years ago, and in this way passed into the museum which the doctor afterwards founded at Glasgow, and which bears his name.
In Cook's “Second Voyage” (vol. ii., pl. xix., fig. 3) there is an illustration of one of these implements, under the name of a “saw,” but it is of a somewhat different pattern, the carving being less elaborate. In the original drawing which is now in the British Museum, it is called a carving-knife. Mr. T. H. Smith, in his recent lecture at Auckland “On Maori Implements and Weapons,”* states that in former times the mira-tuatini was used for cutting up human flesh at cannibal feasts. Its chief interest from an ethnographical point of view is that it appears to supply another link of connection with the South Sea Islanders. Every one is familiar with the little handswords, edged on two sides with a setting of small shark's teeth, from the Kingsmill or Gilbert Islands, and those of a somewhat coarser make from the Hervey Group. The mira-tuatini is contrived on the same principle. The Glasgow specimen is in the form of a small fish-slice, measuring 8·75in. in length by 2·25in. in the widest part of the blade, and its somewhat rounded cutting-edge is armed with seven irregular sharks'-teeth, set continuously in a close row, the base of each tooth being neatly let into the woodwork and firmly secured by having the more or less open margin of the weapon bound round with flax fibre. At each end of the blade, if I may so term it, there is a circular paua-shell eye, and the intermediate space is filled with perforated carving of an elaborate pattern, and of apparently ancient type, the lines
[Footnote] * See above, Art. XLIX.

being involute throughout. At the bottom of the handle there is a sort of shell design—an open volute, forming a knob, covered with the same detailed carving as the blade. Immediately above this terminal scroll-work the handle is perforated to receive a thong or flax-string. The authenticity of this relic is undoubted, and to the eye of the practised expert its genuine Maori character is placed beyond doubt at the first glance. I made a careful pencil-drawing of it at the museum, but Professor Young, the chief curator, has at my request been kind enough since to get it photographed for me, and one of the prints accompanies this note by way of illustration (Plate LI.).
There are four specimens of the mira - tuatini in the British Museum collection; one of these is like that figured in Cook's “Voyages,” two others are of similar pattern but much coarser make, and the fourth is in the form of a long lancet (measuring about a foot) with four sharks' teeth let in near the extremity, immediately below a paua-shell eye.
It is said, with what truth I know not, that the hand-swords from the Gilbert Islands mentioned above are used by the islanders as instruments of torture, or for punishing unfortunate slaves. Even as a fighting weapon, in the hands of a desperate man, I could imagine their inflicting terrible flesh-wounds, especially among combatants whose only livery is nature's skin, and whose conflicts are chiefly hand-to-hand. But, for whatever purpose intended, the arrangement of erect, unevenly-pointed shark's teeth gives a very effectual sawing-edge. May not this have been used by the ancient Maori as an instrument of self-torture? In former times it was the universal practice of Maori mourners for the dead (more especially the women) to cut and gash themselves, so as to induce great physical suffering, sharp shells or the cutting-edge of a splinter of glass-obsidian (mata-tuhua) being generally used for that purpose; the more intense the grief for the departed the deeper the cuts. Cook, in his “First Voyage” (vol. ii., p. 290), in giving an account of his first contact with the Maoris, says, “Among the persons of the family there was a woman who had her arms, legs, and thighs frightfully cut in several places, and we were told that she had inflicted these wounds upon herself in token of her grief for the loss of her husband, who had lately been killed and eaten by their enemies, who had come from some place to the eastward which the Indians pointed out.” This custom was continued in some parts of the country for years after the introduction of Christianity; and in my boyhood I have seen female mourners with their cheeks, arms, and breasts painfully gashed in short parallel lines, the blood streaming from the

wounds and almost covering the body. This hand-instrument would be admirably adapted for such a purpose, and the severity of the cutting could be regulated at will.

