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Volume 34, 1901
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– 34 –

The Whare Tapere.

The whare tapere was a house where the young people of a fort or village would gather at night in order to amuse themselves in various ways—i.e., with singing, dancing, playing of games, &c. It was the play-house of the neolithic Maori, and doubtless the prototype of the modern theatre of the intrusive pakeha (Europeans). It was not necessary that a village should have a house set aside or used specially for amusement. Such terms as “whare tapere,” “whare potae,” “whare pora,” &c., are to a great extent mere figures of speech. Still all amusements are spoken of as the arts of the whare tapere—i.e., the art of pleasure.

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In this article I propose to deal not only with such forms of amusement as pertained to the whare tapere, but also to pass out from that edifice in order to mention certain outdoor games of past generations; for of all the ancient games of Maoriland but few have survived, and those few are not as the men of old knew them: the trail of the pakeha is over them all.